Spherical Zoom Lenses
Category name

Zoom Angenieux EZ-2

Angenieux Ez-2 | Rec Roma - Spherical Zoom Lenses

The Angenieux Type EZ-2 for FF/VistaVision and S35 format is a wide zoom lens with a zoom factor of 2.7x. Its focal range and aperture are set to 22-60mm F2.8/T3 for the FF/VV covering an image up to 46 mm and 15-40mm F1.9/T2 for the S35 covering an image up to 30mm. By exchanging the rear lens group, the Zoom Angenieux EZ-2 can be switched from FF/VV to S35 and from S35 to FF/VV

  • Available in pack offer only (type EZ-2 S35 PL + FF/Vistavision rear)
  • 22-60mm T3 / f2.8, image coverage up to 46mm diagonal for FF/VV and 15-40mm T2 / f1.9, image coverage up to 30mm diagonal for S35
  • Lightweight (2,070g / 4.6 pounds)
  • Extremely fast T2 across zoom range with no ramping
  • Extremely wide coverage with minimal distortion
  • Internal focusing & zooming, lens size remains constant throughout zooming & focusing range.
  • Traditional Angenieux look, colorimetry matches those of OPTIMO & OPTIMO STYLE series.
  • Short MOD 0.6m / 2 feet
  • In-lens thermal compensation, significantly reduces temperature drift.
  • Precise and ergonomic focus ring with scale rotation of 300 degrees
  • Luminescent FTZ markings, easy reading in dark
  • Available with PL lens mount, easy conversion to EF or E mount by users
  • Front diameter 114mm, matte boxes compatible with those used on OPTIMO & OPTIMO STYLE compact zooms
  • Detachable ENG style zoom grip available from MOVCAM
www.angenieux.com

Zoom Angenieux EZ-1

Angenieux Ez-1 | Rec Roma - Spherical Zoom Lenses

Zoom Angenieux EZ-1 FF/VV and S35 format is a standard zoom lens with a zoom factor of 3x. Its focal range and aperture are set to 45-135mm F2.8/T3 for the FF/VV covering an image circle up to 46mm diagonal and 30-90mm F1.9/T2 for the S35 covering an image up to 30mm. By exchanging the rear lens group, the Zoom Angenieux EZ-1 can be switched from FF/VV to S35 and from S35 to FF/VV

  • available in pack offer only (Type EZ-1 S35 PL+ FF/Vistavision rear)
  • 45-135mm T3 / f2.8, image coverage up to 46mm diagonal for FF /VV and 30-90mm T2 / f1.9, image coverage up to 30mm diagonal for S35
  • Extremely fast T2 across zoom range with no ramping
  • Lightweight (2,150g / 4.7 pounds)
  • Internal focusing & zooming, lens size remains constant throughout zooming & focusing range.
  • Traditional angenieux look, colorimetry matches those of OPTIMO & OPTIMO STYLE series.
  • Short MOD 0.6m / 2 feet
  • In-lens thermal compensation, significantly reduces temperature drift.
  • Precise and ergonomic focus ring with scale rotation of 300 degrees
  • Luminescent FTZ markings, easy reading in dark
  • Available with PL lens mount, easy conversion to EF or E mount by users
  • Front diameter 114mm, matte boxes compatible with those used on OPTIMO & OPTIMO STYLE compact zooms
  • Detachable ENG style zoom grip available from MOVCAM
www.angenieux.com

Zoom Angenieux Optimo 25-250

Angenieux 25-250 | Rec Roma - Spherical Zoom Lenses

Accompanying and matching ARRI Signature Primes, the four new Signature Zoom lenses render the most natural and beautiful images ever seen from a cine zoom. Designed for any large-format or Super 35 camera, they are uniformly fast at T2.8 and offer an unrivalled focal length range. Significant extension of the Signature lens family, with the same timeless look as Signature Primes. ARRI Signature lenses cover a focal length range of 12 mm to 510 mm, which is the largest in the industry. ARRI Signature Prime and Zoom Arri Signature 65-300 are equipped with the LPL (Large Positive Locking) lens mount. A wider diameter and shorter flange focal depth allow LPL lenses to be small and lightweight, with a fast T-stop and pleasing bokeh—a combination of features that would not be possible with the old PL lens mount. ARRI has shared LPL specifications openly and free-of-charge across the industry, establishing the LPL lens mount as a standard interface between cameras and lenses. ARRI LPL lens mounts are available for ALEXA 65, ALEXA LF, ALEXA Mini LF, ALEXA Classic/XT/SXT, ALEXA Mini and AMIRA cameras. In addition, third parties offer LPL lens mounts for cameras, director’s viewfinders, and lens testing tools, so ARRI Signatures and other LPL lenses can be universally used.

  • Same timeless look as Signature Primes
  • Smooth and flattering flesh tones
  • Elegant out-of-focus highlights
  • No ramping – consistent exposure through all focal lengths
  • Unchanging image quality across the zoom and iris ranges
  • Minimal color aberration
  • The high image quality means these zooms can be used in more situations, saving time
  • Shaped and honed flares mean fewer delays
  • Lightweight design means quicker setups
  • Exceptional close-focus means reduced lens changes
  • Designed for any format up to full frame and any camera
  • Ideal for HDR, with superb color rendition and shadow detail 
  • 8K resolution for future requirements
  • ARRI build quality for long product life
www.angenieux.com

Zoom Fujiinon PL 19-90

Fujinon 19-90 | Rec Roma - Spherical Zoom Lenses

The Zoom Fujiinon PL 19-90 Cabrio (ZK4.7×19) features an exclusive detachable servo drive unit, making it suitable for use as a standard PL lens or as an ENG-Style lens. The Zoom Fujiinon PL 19-90 also features flange focal distance adjustment, macro function, and is LDS (Lens Data System) and /i metadata compatible. With a 19-90mm focal range and weight of only 2.85kg including servo motors, this lens has the longest focal range available in a light weight zoom.

Videographers used to shooting video in a typical ENG-style will be very comfortable with the servo. Cinematographers will also be right at home with this lens. With the detachable drive removed, the lens is set to accept industry standard cine motors and matte boxes. Plus, the lens has all the lens data output that appeals to a Cine-style shooter. LDS and /i metadata compatibility is very useful when you want to record the position information of zoom, iris and focus for computer animation and other uses.
The digital servo on the 19-90mm Cabrio has 16-bit encoding, so operators can be assured that all lens data output is extremely accurate.
The 19-90mm covers 31.5mm sensor size on a digital cinema style camera. While sensors on standard broadcast cameras are all the same size, sensors on digital cine cameras vary greatly. This new zoom ensures the image captured will cover large sensors for optimal, full-frame resolution. A nine-blade iris part of the design as well, creating the most natural-looking imagery possible.

Barrel markings are luminous for visibility in dark shooting situations. Distances are listed in feet or meters and can be changed in the field.

The 19-90mm can be controlled using cinema industry standard wireless controllers, as well as existing Fujinon wired and wireless units. Whether you are from a film background or a video one, the Premier PL 19-90 offers uncompromising quality and unprecedented flexibility.

www.fujifilm.eu

Zoom Angenieux Optimo 24-290

Angenieux Optimo 24-290 | Rec Roma - Spherical Zoom Lenses

It is safe to say that the Zoom Angeniux Optimo 24-290 is one of the most popular and successful zoom lens ever made, and with good reason! Its wide range, very strong and reliable optical performance as well as its user-friendly ergonomics make it the ideal long-range zoom lens to achieve a wide variety of shots. The Zoom Angeniux Optimo 24-290 can be used in conjunction with a 1.4 or 2x extender to achiever an even longer range, or with the exclusive Vantage Hawk Anamorphic adapter.

  • Exceptional optical quality enables the 24-290 to rival the best prime lens series at equivalent focal distances.
  • Perfect homogeneity of colorimetry, contrast and resolution.
  • For high-end film and digital cameras.
  • Constant diaphragm over the totality of the course of the zoom (no ramping), very low breathing, very bright for a 12x ratio.
  • Coverage of the 35mm format (30 mm diagonal).
  • Compatible with Angénieux Extenders 1.4X and 2X, and available in EF Mount
  • The precise display of zoom settings and the high-precision mechanism, both as regards fluidity and ergonomics, optimize the operators’ reaction time so that they can stay as close as possible to the action.
  • Aperture: f/2.5 – T2.8
  • Weight (approx.): 24.2 lbs – 11kg
  • Front Diameter: 162mm
www.angenieux.com

Zoom Angenieux Optimo 17-80

Angenieux 18-70 | Rec Roma - Spherical Zoom Lenses

The Zoom Angeniux Optimo 17-80 mm features an optical design that eliminates breathing and ramping, and offers superior levels of optical performance across its entire zoom range. The Zoom Angeniux Optimo 17-80 mm T2.2 Zoom weighs 12.1 lbs with a front diameter of 136mm and close focus at 2′.

This lens produces impressive contrast and color reproduction that rivals the highest performing prime lenses.

  • An extremely fast aperture speed of T2.2
  • Perfect homogeneity of colorimetry, contrast and resolution.
  • Compatible with high-end film and digital cameras.
  • No ramping, no breathing
  • I29° focus rotation with over 25 witness marks
  • The precise witness marks and mechanics of the lens and its superior optical quality enable you to shoot cutting edge productions.
  • Aperture: f2 – T2.2
  • Weight(approx.): 12.1 lbs – 5.5kg
  • Front Diameter: 136 mm
TECHINCAL SPECS
www.angenieux.com

Zoom Angenieux 25-250 HR

Zoom Angenieux 25-250 HR

The Zoom Angenieux 25-250 HR T3.5 offers a wide range with a medium-sized body, a good aperture, and a medium weight of 10.5 lbs. It is a high-quality and reliable zoom lens well-suited for a variety of shots. Zoom Angenieux 25-250 HR zoom from the 1990’s is the predecessor to the industry workhorse 12:1 zoom. With a non-telescoping barrel, and solid mechanics, this lens can offer a wide focal range in a much lighter package than the 12:1.

  • Focal Length: 25mm to 250mm
  • T-Stop: T3.5
  • Minimum Focus: 5’7
  • Available in PL Mount only
  • Zoom ratio: 10x
  • Weight (approx.): 10.5 lbs (4.7 kg)
  • Image coverage: 35mm (30 mm diagonal)
  • Front diameter: 136mm
TECHINCAL SPECS
www.angenieux.com

Zoom Canon CN-E15.5-47mm T2.8 L SP

Canon 15,5-47 | Rec Roma - Spherical Zoom Lenses

The Canon CN-E15.5-47mm T2.8 L S/SP is a EF/PL mount lens for Super 35mm format with exception optical performance for demanding high-end productions. This lens will surpass the performance requirements of any HD imaging system. It features advanced optical design with fluorite and large aspherical lens elements to achieve sharp, consistent images throughout its zoom range, and has a unique optical design that has significantly minimized focus breathing facilitating a new level of creativity in focus pulls. It also has a remarkably broad rotation angle of Focus 300°/ Zoom 160° which realizes high accuracy in operating the lens.
The Canon CN-E15.5-47mm zoom lens also incorporates geared inner focusing to minimize focus-induced changes in the angle of view, while 11-blade aperture diaphragms ensure beautiful bokeh. Innovative glass construction counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies.

  • PL Mount (SP)
  • Focal length of 15.5 mm ~ 47 mm
  • 11-blade diaphragm
  • Minimized Focus breathing
  • Indicators on both sides allow accurate and precise focusing
  • IManagement positions, rotation angles and diameters of the front lens follow the standards
Resources
www.canon-europe.com

Zoom Canon CN-E30-105mm T2.8 L SP

Canon 30-105 | Rec Roma - Spherical Zoom Lenses

The Canon CN-E30-105mm T2.8 L S/SP is a lightweight EF/PL mount lens for Super 35mm format with exception optical performance for demanding high-end productions. This lens will surpass the performance requirements of any HD imaging system. It features advanced optical design with fluorite and large aspherical lens elements to achieve sharp, consistent images throughout its zoom range, and has a unique optical design that has significantly minimized focus breathing facilitating a new level of creativity in focus pulls. Canon CN-E30-105mm also has a remarkably broad rotation angle of Focus 300°/ Zoom 160° which realizes high accuracy in operating the lens.

  • EF mount (S model) and PL mount (SP model)
  • Focal length of 30mm ~ 105mm
  • 11-blade aperture diaphragm
  • Minimised Focus breathing
  • Precision back focus adjustments with lens markings on both sides
  • Uniform Gear Positions, Rotation Angles and Front Lens Diameters
Resources
www.canon-europe.com

Zoom Canon CN-E30-300mm T2.96-3.7 L SP

Canon 30-300 | Rec Roma - Spherical Zoom Lenses

Offering wide to telephoto with just one lens, the Canon CN-E30-300mm T2.95-3.7 L SP rivals best-in-class zoom magnification and telephoto focal length for extensive creative possibilities. PL mount compatible, the Canon CN-E30-300mm offers industry standard manual control for exceptional usability in demanding high-end productions.

  • Compatible with PL mount 35mm and Super 35mm cameras
  • Large aspherical 4K lens – unrivalled optical performance
  • 11 blade diaphragm for attractive blurring
  • Smaller and lighter than conventional lenses
  • Inner Focus minimizes changes in angle of view
  • Supports standard Cinema Accessories
  • Unified Front Lens Diameter, Gear Position
Resources
www.canon-europe.com

Zoom Fujinon PL 25-300

Fujinon 25-300 | Rec Roma - Spherical Zoom Lenses

The Zoom Fujiinon PL 25-300 12x PL mount cine lens, starting at 25mm and reaching to 300mm, will give you the versatility to cover a wide variety of shooting situations. The PL Zoom Fujiinon PL 25-300 with its generous focal range, makes it ideal for shooting documentaries, nature and wildlife, and car commercials, as well as the closer shots that can only be made with a wider angle lens.
The PL 25-300 covers 31.5mm sensor size on a digital cinema style camera. While sensors on standard broadcast cameras are all the same size, sensors on digital cine cameras vary greatly. This new zoom ensures the image captured will cover large sensors for optimal, full-frame resolution. A nine-blade iris part of the design as well, creating the most natural-looking imagery possible.
The detachable digital servo will make a great accessory for this extra long Cabrio lens. Joining the Cabrio family, the PL 25-300 will offer all the features of the Cabrio line; Flange focal adjust, LDS and i/ Technology metadata compliant*, smooth focus action, and of course, spectacular 4K performance!

  • Camera Format: PL Mount
  • Focal length: 25 – 300 mm
  • Zoom range: 12 ×
  • Maximum Photometric Aperture T-No.: 1 : 3.5 (25-273mm) – 1 : 3.85 (300mm)
  • Iris Blades: 9
  • Focus Rotation (degrees): 280
  • Zoom Rotation (degrees): 120
  • M.O.D. from image plane: 1.2 m / 3′ 11″
  • Object dimensions at M.O.D. 16 : 9 Aspect ratio: 25 mm 937 × 527 mm / 300 mm 77 × 43 mm
  • Angular field of view 16 : 9 Aspect ratio: 25 mm 57°32′ × 34°19′ / 300 mm 5°14′ × 2°57′
  • Macro: Available as standard
  • Diameter × Length: 136 × 401 mm
  • Weight: 8.9 kg
www.fujifilmusa.com

Zoom Fujinon PL 85-300

Fujinon 85-300 | Rec Roma - Spherical Zoom Lenses

The PL Zoom Fujiinon PL 85-300 Cabrio (ZK3.5×85-SA) features an exclusive detachable servo drive unit, making it suitable for use as a standard PL lens or as an ENG-Style lens. The Zoom Fujiinon PL 85-300 also features flange focal distance adjustment, macro function, and is LDS (Lens Data System) and /i metadata compatible. Despite the impressive 85-300mm focal range the weight its weight is only 3.0kg including servo motors.

  • Angular field of view 16:9: 85 mm 18°21′ × 10°23′ 300 mm 5°14′ × 2°57′
  • Filter thread: M114
  • Focal lenght: 85-300mm
  • Iris blades: 9
  • M.O.D (from Image plane): 1.20 m
  • Mass (without lens hood): 3.0kg w/drive unit 2.5kg w/o drive unit
  • Maximum photometric aperture T-No: 1 : 2.9 (85-220mm) 1 : 4.0 (300mm)
  • Object Dimensions at M.O.D: 85 mm 274 – 154 mm 300 mm 79 – 44 mm
  • Size (diameter x length): 114 × 249 mm
  • Zoom rotation: 3.5 X
www.fujifilm.eu

Zoom Zeiss LWZ.2 15.5-45mm

Zeiss Zoom 15.5 45 Lwz2 | Rec Roma - Spherical Zoom Lenses

The Lightweight Zoom Zeiss LWZ.2 15.5-45mm is the first on the market to combine outstanding optical image quality with an Interchangeable Mount System. The Zoom Zeiss LWZ.2 15.5-45mm is a cine lens designed for use with HDSLR as well as traditional cine cameras. The Interchangeable Mount System guarantees high flexibility for present and future use in any situation and for a wide range of camera platforms. With the five different mounts available (PL, EF, F, MFT, E mount) there there is no need for adapter solutions anymore. Exotic glass materials and the T* XP anti-reflex coating ensure a sharp, high resolution image that covers the entire Super 35 frame and perfectly matches the other ZEISS cine lenses.

  • Interchangeable mount
  • Super color matched with all ZEISS cine lenses
  • Highest optical performance despite compact build
  • T XP coating ensures flare resistance
  • Robust cine-style housing
  • Calibrated focus scales
  • Consistent aperture over the zoom range
  • No focus shift over the zoom range
www.zeiss.com

Zoom Cinema 70-200 T2.9 CZ2

Zeiss Zoom 70 200 CZ2 | Rec Roma - Spherical Zoom Lenses

The Zoom Cinema 70-200 T2.9 CZ.2 Lens with PL Mount is a telephoto zoom lens that is optimized for motion picture production. The lens offers full-frame (36 x 24 mm) coverage and exhibits no focus shift over the zoom range. The cine-style housing features calibrated focus scales and industry standard gearing for focus, iris and zoom. At 9.84″ long and with a weight of 6.2 lb, the 70-200mm is relatively compact and lightweight, which makes it ideal for handheld and Steadicam applications.
The Zoom Cinema 70-200 T2.9 CZ.2 utilize T* anti-reflex coating and internal light traps to suppress flare, and a circular iris renders attractive bokeh. Interchangeable lens mounts are available in PL, Canon EF, Nikon F, Micro 4/3, and Sony E, which means that users are not locked into a single camera system. A range of mounting options and 4K-ready optics make the 70-200mm Compact Zoom a virtually “future proof” lens.

  • High resolution and contrast; ready for 8K and beyond
  • Excellent color correction
  • Flare suppression through T anti-reflex coating and internal light traps
  • Low distortion
  • Round out-of-focus highlights
  • Color matched
www.zeiss.com