Hawk MHX lenses deliver the power of anamorphic while avoiding the limitations of traditional 2x squeeze. They offer super-close focus – almost like macro lenses – with no breathing while focusing. Hawk MHX primes are geometrically well-corrected, yet still preserve classic anamorphic characteristics such as elliptical bokeh and shallow depth of field, resulting in an organic cinematic feel. Hawk MHX lenses deliver their full optical power to new, larger formats.

• epic anamorphic look
• ultra close focus
• superior definition
• high speed optics
• spherical delivery
• well-suited for CG

The Panchro/i Classic FF optical performance enables them to be used at full aperture with superior control of flare, distortion and spherical aberration. Colour balanced, colour matched and compatible with Cooke S8/i FF and S7/i FF, as well as other modern Cooke lenses. The same coveted Cooke Look aesthetic as the now legendary Cooke Speed Panchro.

Cinematographers talk about Panchro/i Classic as having qualities which enable to convey more emotion in their work, particularly with faces. Cooke’s /i Technology enables cameras to automatically record key lens data for every frame shot, allowing post-production teams to access it digitally. Featuring key information on lens setting, focusing distance, aperture and depth-of-field, hyperfocal distance, serial number and more, it streamlines production and post and saves time and cost to eliminate guesswork.

Modern and traditional grinding and polishing techniques are combined to achieve the highest level of precision. Edging and blackening are thoroughly performed to achieve accurate lens alignment and minimal flaring. Finally, lenses are meticulously assembled, exhaustively tested, checked and re-checked.

The MasterBuilt Classics Series Lenses have been designed to produce images of vintage personality throughout large format cinematography. Built to exacting specifications, the MasterBulit lenses maintain superior center sharpness, while gradually building softness and glowing beauty throughout the frame. Each lens maintains a super-fast T1.4 aperture throughout the entire focal range, making it effortless to shoot in professional settings where swapping lenses and shooting matching coverage becomes crucial. The maximum T-stop facilitates shallow depth of field and smooth focus fall-off giving subject’s singularity in the frame. All MasterBuilt lenses incorporate a proprietary polishing method of the optical element. This process helps enhance signature flares and softer contrast reminiscent of the vintage Canon-K35© optics. Each lens is engineered and assembled to the highest tolerances, ensuring accurate marks, zero backlash, smooth focus, zero* breathing, and solid build. The Masterbuilt Lenses perform to the highest levels of industry and mechanical standards. Each lens incorporates Aspherical elements which achieve superior aberration correction with less optical elements, ultimately producing higher quality imaging. The MasterBuilt Classics lenses strike a balance of sharp images with soft edges. Optically the MasterBuilt Lenses have achieved significant characteristics, while maintaining clarity and precision. The MasterBuilt Lenses are available for Rentals and Sales through T M CAMERA SOLUTIONS and authorized camera rental facilities worldwide.

Personalise your craft with a range of Full-Frame cinema prime lenses named Canon Sumire Primes LF, with a specially designed ’cinematic look’ and interchangeable PL mount. Designed to offer delicate and subtle rendering of a subject, these seven Canon Sumire Primes LF lenses offer fast apertures and precise manual control with a crafted focus bokeh aimed at careful creative expression. A unique optical design offers a nuanced look at the lens’ wider aperture settings, subtly modifying textural renderings for pleasing bokeh with superb expressiveness. The lens offers wide compatibility options for PL mount 35mm Full-Frame and Super 35mm cameras and can be changed to an EF mount at any authorized service facility. Sumire primes inherit the same subtle warm colour tone from the Canon cinema lens range, making it easy to change lenses without affecting colour balance. A fast T-number is thanks to a large lens diameter and together with an 11-blade iris, offers richer levels of bokeh. The lens design also significantly reduces focus breathing. With carefully developed focus resistance, delicate focus adjustments can be made over a 300-degree rotation angle. All lenses accept 105mm screw-on filters, have a 114mm diameter lens front and have consistently positioned gears for ease of use.

Shoot 35mm, Super 35mm, Full Frame and Beyond
The Cooke S7/i, T2.0 Full Frame Plus Primes are designed to cover the emergent full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle).
Shoot 35mm / Super 35mm formats, full frame, VistaVision and beyond – all with The Cooke Look®. We have you covered with our S7/i Full Frame Plus lenses.
Superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The cam-type focus mechanism allows for smooth focus adjustments. Modular construction increases ease of maintenance and serviceability.
And, the S7/i lenses come equipped with /i Technology for frame by frame digital information capture, as do all modern Cooke cine lenses for film and digital capture.
Available in focal lengths: 16,18, 21, 25, 27, 32, 40, 50, 60 MACRO, 65, 75, 90 MACRO, 100, 135, 150 MACRO, 180 and 300 mm.

Our Cooke S7/i Prime lenses are supplied with /i Technology that collect detailed lens data for production, VFX and post-production teams and are designed for all PL mounted professional motion picture film and electronic cameras. The /i Technology provides cinematographers and camera operators with vital information on lens setting, focusing distance, aperture and depth-of-field, hyperfocal distance, serial number, owner data, lens type and focal length in both metric and footage measurements, as well as inertial tracking data, shading and distortion data. For zoom lenses, the zoom position is displayed.

• T2.0 – T22 aperture
• Covers at least 46.31mm image circle
• Colour matched to Anamorphic/i, S4/i, miniS4/i, 5/i and Panchro/i Classic lenses
• Award-winning cam style mechanism for smooth focus adjustments
• Especially well balanced for astigmatism and correct for lateral and longitudinal aberrations over the entire image area
• Supplied with the next generation of /i Technology for lens metadata capture
• Linear iris
• The Cooke Look®, of course

Ranging from 12mm to 280mm, the Arri Signature Prime lenses offer a unique look never seen before in cinema. Warm, smooth skin; open shadows with crisp blacks; and bokeh like looking through a window in the rain. The timeless look of Signature Primes will never go out of style. The ARRI Signature Prime range is the first to incorporate ARRI’s next-generation LDS-2 Lens Data System, with high data rates and absolute encoders for fast initializing. LDS-2 extends the possibilities of lens data and can be licensed to other lens and camera manufacturers. Any material can be used to make a filter, from tinfoil and fishing line to stockings, wrapping paper, and vintage fabrics—each of them affecting bokeh, flaring and diffusion in different ways. Alternatively, glass elements can be used to simulate vintage lenses, with images sharp in the center but deteriorating in the corners. Simply visit your local optician with a filter holder and ask them to fit a close-up lens of whatever strength, coating or tint you want to try. The filter holder is magnetic, allowing fast and easy changes between looks, with no tools needed. An additional way to explore different looks with the Signature Primes is to use ARRI’s uncoated replacement front element, which can be fitted by the user in just a few minutes to increase flaring, ghosting and reflections.
ARRI Signature Prime and Signature Zoom lenses are equipped with the LPL (Large Positive Locking) lens mount. A wider diameter and shorter flange focal depth allow LPL lenses to be small and lightweight, with a fast T-stop and pleasing bokeh—a combination of features that would not be possible with the old PL lens mount.
ARRI has shared LPL specifications openly and free-of-charge across the industry, establishing the LPL lens mount as a standard interface between cameras and lenses. ARRI LPL lens mounts are available for ALEXA 65, ALEXA LF, ALEXA Mini LF, ALEXA Classic/XT/SXT, ALEXA Mini and AMIRA cameras. In addition, third parties offer LPL lens mounts for cameras, director’s viewfinders, and lens testing tools, so ARRI Signatures and other LPL lenses can be universally used.

• Warm smooth skin tones
• Open shadows with crisp blacks
• Exceptionally soft bokeh for increased sense of separation
• Soft and delicate flares
• Unparalleled flexibility with magnetic rear filter holder
• 16 matched primes from 12 to 280 mm
• Fine details beautifully rendered
• No visible focus breathing and no distortion for easy tracking
• Minimal chromatic aberration for a perfect key

Impression Filters

Positive strength Impression V Filters produce ‘bauble’ bokeh in the background, where out-of-focus highlights are bright in the middle and blurry at the edges. Bokeh at the edges of the image becomes more stretched and pointier.

Negative strength Impression V Filters have the opposite effect to positive filters. In the background, ‘donut’ bokeh gives out-of-focus highlights a bright ring around the edges, making them appear sharper.

Consistency is one of the key elements offered by the Zeiss Supreme Prime lenses: that means consistent coverage, color rendering, aperture, size, weight and ergonomics. All the lenses across the family cover full frame and even bigger sensors with an image circle of 46.3 mm. The Supreme Prime lenses are color matched across the full range and most feature a fast T-stop of T1.5.
The small front diameter of 95 mm on almost all lenses and standardized positioning of the focus and iris rings across the whole family facilitate fast and easy equipment changeout. The compact and lightweight design means you enjoy easy and comfortable handling. The ultra-smooth focus rotation of the Supreme Prime lenses even in extreme temperatures allows for small motors to make sure you have an easy setup that’s enjoyable to work with.